Miyazaki on Spirited Away // Interviews // Nausicaa. Miyazaki: This. movie is a story about a 1. The movie appears to be satire, but that. I have five young female friends who. Background Sen to Chihiro no Kamikakushi is the highest grossing film in Japanese history, with a total of ¥30.4 billion from Japanese box office sales alone. Sen to Chihiro no kamikakushi (original title) PG | 2h 5min | Animation, Adventure, Family | 28 March 2003 (USA) 1:33 | Trailer. 3 VIDEOS | 34 IMAGES. On Disc at. Spirited Away (Sen to Chihiro no Kamikakushi) Feature Film: 20 July 2001 / 124 minutes Director, Original Story: Hayao Miyazaki. Chihiro (or Sen. . Miyazaki on Sen to Chihiro no Kamikakushi. An Interview with Hayao Miyazaki. Are you trying to answer that by making “Sen to Chihiro”? M: No. Sen To Chihiro No Kamikakushi MeaningHiiragi- san*, and I spend every. I wanted to make a. That is why I started this film. Danish Spirited Away (Sen to Chihiro no kamikakushi) 23.976 FPS 1 Anonymous Danish Spirited Away. Chihiro é uma garota de 10 anos, no caminho para sua nova casa, os pais de Chihiro se deparam com um túnel aparentemente sem fim, guardado por uma estátua estranha.
HIIRAGI Rumi, the 1. Chihiro. She was at the press. We have made "Totoro,". Laputa," in. which a boy sets out on a journey, and "Kiki's. Delivery Service," in which a teenager has to live. We have not made a film for 1. So, I read the shoujo manga such as Nakayoshi or Ribon. I felt this country only offered such things as crushes. I felt this was not what they held dear. And so I wondered. I could make a movie in which they could be. If they find this movie to be exciting, it will be a. They can't lie. Until now, I made. I wish there was such a person" leading. This time, however, I created a heroine who. Yes. it's like that." It's very important to make it. Starting with that, it's not a. I wanted to tell. I want my young friends to. I think they, too, have such a. When did you start thinking about making a new. M: There is a book for children. Kirino Mukouno Fushigina Machi (A Mysterious Town. Over the Mist)" (by Sachiko KASHIWABA, published by. Kodansha). It was published in 1. I wondered. if I could make a movie based on it. This was before we. Mononoke Hime". There is a. But I couldn't. understand why it was so interesting; I was mortified. I really wanted to know why. So, I wrote a project. After that, I thought it would be better to have a more. I wrote a proposal called "Rin. Chimney Painter." It was a contemporary. It ended up being a story with a. Looking back, all three stories had bath houses in them.*Bandai - a seat on a raised. Why did you make a story. M: For me, a bath house is a mysterious. The first time I saw an oil painting was. And there was a small door next to the. I wondered what was behind that door. So, I. thought up a story about a young man the same age as. Hiiragi- san, but it was rejected as well. Where did the idea of bath house being a place. M: It would be fun if there were such a. It's the same as when we go to hot springs. Japanese gods go there to rest for a few days, then. I was imagining such things as I made. I was thinking that it's tough. Japanese god today. Are there any models for the gods (in the. M: The Shinto ritual at Kasuga Shrine uses a piece of. I. borrowed such images, but Japanese gods have no actual. They are in the rocks, in pillars, or in the trees. But they need a form to go to the bath house. A god of. Daikoku looks like Daikoku*, and some of them have shapes. Daikoku: a Japanese deity.- Why did you set the story. M: It's a world like this Edo Tokyo. Tatemonoen (Edo Tokyo Museum, Building Park*) rather than. I've always been interested in the. Western- style buildings** you can find here. I. feel nostalgic here, especially when I stand here alone. Edo Tokyo Tatemonoen: A park with Japanese houses and shops. Meiji and Taisho era (about 1. Miyazaki- San loves the park and often visits. The interview took place in the park. Pseudo- Western style - A. Japanese architecture in the early Meiji. It's a mixture of traditional Japanese design. Western design. I think we have forgotten the life. I feel that we weren't so weak.. They ate a small. Everyone thinks our problems today are the big. But I. think we just aren't used to them, what with the. Well, it's enough since everyone is. Rather, let's cheer up. I'm making a film with such a feeling.- What was the biggest difficulty in making the. M: As usual, after the production. I realized that it would be more than three. I made it according to my plot (laughs). So, I had to cut a lot from the story, and make a. I'm also trying to make this film using. I reduced the. eye- candy as much as possible and made it simple. I. didn't want to make the heroine a pretty girl, but even I. I thought. "What a dull girl she is" (laughs). When I saw. the rushes, I thought, "She isn't cute. Isn't there. something we can do?" But as the film neared the. I was a bit relieved to feel, "Oh, she will be. How do you feel about Chihiro, Ms. Hiiragi? Hiiragi: She is willful and spoiled, very. I think that she is a bit like me. M: I think this story is similar to that. Ghibli, and says. Let me work here." For us, Ghibli is a. There. are a lot of grumpy people here. Joining an organization. In many instances, you must use. But that's a matter of course, that's. So, I am making the film with the. The scary woman, Yu- baaba, who looks like a bad guy. She's having a hard time. So I don't intend to portray her as a. Do you have any ideas on how today's children. Chihiro, can regain their energy? M: If you let me have my own way, I'd. I would drastically reduce the number of. Our work is part of. I think we should let our children watch. If we let children have more of their own time. There are too many people who make money off. There is evidence we can live without such. This is the fault of adults; it's adults who are in the. Children are just mirrors, so no wonder they. When Mr. Takahata made "My Neighbor the. Yamadas," he was questioning the act of telling a. Are you trying to answer that. Sen to Chihiro”? M: No, I don't mean that, but I do think. For those who are in their powerless. When children face complicated or. They. would surely lose if they tried to tackle it head- on. We. don't need to use a complex and questionable phrase such. There are many. people who were saved by Tezuka- san's manga, not just in. I have no. doubt about the power of fantasy itself. Still, it is. true that the creators of fantasy are getting emotionally. Surely more and more people are saying, "I. But it's just that a.
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